Chastity Snowden Whyte just wanted to mine for rocks, metal and ice in the asteroid belt between Mars and Jupiter. Rock mining in space was all she knew. It was all she was good at doing. She was comfortable living alone as the captain of her mining ship the Sedona. Normally she managed with only infrequent trips to the planetoid Ceres for resupply.She didn’t want to have to make extra trips back to base because of equipment failure. She didn’t want to become a mining tutor for a group of newcomers from Earth. And she certainly didn’t want to get entangled in corporate conspiracies, piracy, kidnapping, murder and worst of all…politics.
One of Japan's foremost twentieth-century photographers, Shomei Tomatsu has created a defining portrait of postwar Japan. Beginning with his meditation on the devastation caused by the atomic bombs in 11:02 Nagasaki, Tomatsu focused on the tensions between traditional Japanese culture and the nation's growing Westernization, most notably in his seminal book Nihon. Beginning in the late 1950s, Tomatsu photographed as many of the American military bases as possible--beginning with those on the main island of Japan and ending in Okinawa, a much-contested archipelago off the southernmost tip of the country. Tomatsu's photographs focused on the seismic impact of the American victory and occupation: uniformed American soldiers carousing in red-light districts with Japanese women; foreign children at play in the seedy landscape of cities like Yokosuka and Atsugi; and the emerging protest- and counter-culture formed in response to the ongoing American military presence. He originally named this series Occupation, but later retitled it Chewing Gum and Chocolate to reflect the handouts given to Japanese kids by the soldiers--sugary and addictive, but lacking in nutritional value. And although many of his most iconic images are from this series, the best of this work has never before been gathered together in a single volume. Leo Rubinfien, co-curator of the photographer's survey Skin of the Nation, contributes an essay that engages with Tomatsu's ambivalence toward the American occupation and the shifting national identity of Japan. Also included in this volume are never-before-translated writings by Tomatsu from the 1960s and 70s, providing context for both the artist's original intentions and the sociopolitical thinking of the time.Shomei Tomatsu (1930-2012) played a central role in Vivo, a self-managed photography agency, and founded the publishing house Shaken and the quarterly journal Ken. He participated in the groundbreaking New Japanese Photography exhibition in 1974 at The Museum of Modern Art, New York, and, in 2011, the Nagoya City Art Museum featured Tomatsu Shomei: Photographs, a comprehensive survey of his work.
Among the least known of collectibles, tobacco tags are truly part of our American history and culture. Most of these beautiful little pieces of art are over 100 years old and come in various sizes and shapes, many very colorful. They have been collected since the 1870s, and continue to be sought after today. This reference will be welcomed by collectors, old and new. With a listing of over 6000 tin tags described and priced, 2000 illustrated tags, plus the many other illustrated and related features, this new work will fill the void and bring hours of pleasure to tobacco tag fanciers.