Young Mukhtar is frozen in time, gazing at his beloved Fatma as she disappears into the streets of Tripoli, destined to a life of prostitution. Around these young lovers, Bushnaf weaves a compelling network of images: a litter-strewn park, a bewitching Italian statue and a fluttering red scarf. Through these images, imbued with social, historical and existential import, Bushnaf paints a dark portrait of a country in crisis and an individual, alone at the centre of conflicting ideologies, all attempting to explain his existence away.With its satirical and semi-journalistic style, Chewing Gum is an existential quest to understand how a society exists beneath a repressive dictatorship. The rhythmic act of chewing relentlessly continues as individuals, time and land turn to waste. In this debut novel, no one escapes the critical gaze of a writer who witnessed first-hand the brutality of Gaddafi’s regime. At times downright funny and at times poignantly sad, Chewing Gum depicts the academics, politicians and businessmen of Libya who all claim a monopoly on the truth of the country but who all, inevitably, fail the individual. About the AuthorMansour Bushnaf is a playwright, novelist and essayist, born in Libya, 1954. He was imprisoned for ten years in the early 1970s because of his political activism and critical writings and is renowned for his award-winning satirical plays. Chewing Gum is his first novel. He lives and works in Tripoli.
Do you have an adorable puppy (or an older dog) and you are feeling frustrated about how to stop biting, chewing, tugging, or nipping? You are not alone and it is time for you to forget about the same old tips that seem to be everywhere! If you are looking for concrete help that works, you will want to look to the best puppy training book for these specific issues. This book will guide you on exactly how to quickly create an atmosphere in which a dog (even the most stubborn) will follow his training. These highly effective puppy aggression and behavioral training methods will then guide you and all involved to reaching fast success. This book tells you exactly what to do and how to do it. What to say and how to say it. Training instructions bring you from Day One of how to train a puppy, to each proceeding day as lessons are learned... and then guidelines to follow for life. For owners who have a cute canine family member whose behavior may not be so cute, this book is invaluable.
One of Japan's foremost twentieth-century photographers, Shomei Tomatsu has created a defining portrait of postwar Japan. Beginning with his meditation on the devastation caused by the atomic bombs in 11:02 Nagasaki, Tomatsu focused on the tensions between traditional Japanese culture and the nation's growing Westernization, most notably in his seminal book Nihon. Beginning in the late 1950s, Tomatsu photographed as many of the American military bases as possible--beginning with those on the main island of Japan and ending in Okinawa, a much-contested archipelago off the southernmost tip of the country. Tomatsu's photographs focused on the seismic impact of the American victory and occupation: uniformed American soldiers carousing in red-light districts with Japanese women; foreign children at play in the seedy landscape of cities like Yokosuka and Atsugi; and the emerging protest- and counter-culture formed in response to the ongoing American military presence. He originally named this series Occupation, but later retitled it Chewing Gum and Chocolate to reflect the handouts given to Japanese kids by the soldiers--sugary and addictive, but lacking in nutritional value. And although many of his most iconic images are from this series, the best of this work has never before been gathered together in a single volume. Leo Rubinfien, co-curator of the photographer's survey Skin of the Nation, contributes an essay that engages with Tomatsu's ambivalence toward the American occupation and the shifting national identity of Japan. Also included in this volume are never-before-translated writings by Tomatsu from the 1960s and 70s, providing context for both the artist's original intentions and the sociopolitical thinking of the time.Shomei Tomatsu (1930-2012) played a central role in Vivo, a self-managed photography agency, and founded the publishing house Shaken and the quarterly journal Ken. He participated in the groundbreaking New Japanese Photography exhibition in 1974 at The Museum of Modern Art, New York, and, in 2011, the Nagoya City Art Museum featured Tomatsu Shomei: Photographs, a comprehensive survey of his work.