Young Mukhtar is frozen in time, gazing at his beloved Fatma as she disappears into the streets of Tripoli, destined to a life of prostitution. Around these young lovers, Bushnaf weaves a compelling network of images: a litter- strewn park, a bewitching Italian statue and a fluttering red scarf. Through these images, imbued with social, historical and existential import, Bushnaf paints a dark portrait of a country in crisis and an individual, alone at the centre of conflicting ideologies, all attempting to explain his existence away. With its satirical and semi-journalistic style, Chewing Gum is an existential quest to understand how a society exists beneath a repressive dictatorship. The rhythmic act of chewing relentlessly continues as individuals, time and land turn to waste. In this debut novel, no one escapes the critical gaze of a writer who witnessed first-hand the brutality of Gaddafi's regime. At times downright funny and at times poignantly sad, Chewing Gum depicts the academics, politicians and businessmen of Libya who all claim a monopoly on the truth of the country but who all, inevitably, fail the individual.
This Simple Solutions book is dedicated to topic of chewing, one of the dog’s favorite pastimes and one of the problems that cost dog owners the most aggravation and money. For owners of mouthy puppies (or adults), Chewing offers excellent way of extinguishing the problem through redirection, rewards, and providing other stimulation (toys, games, and other distractions!). Author Kim Campbell Thornton also guides the dog owner to prevent chewing problems through every-day routines that discourage the behavior. Readers will be entertained by the humorous illustrations by Buck Jones.
One of Japan's foremost twentieth-century photographers, Shomei Tomatsu has created a defining portrait of postwar Japan. Beginning with his meditation on the devastation caused by the atomic bombs in 11:02 Nagasaki, Tomatsu focused on the tensions between traditional Japanese culture and the nation's growing Westernization, most notably in his seminal book Nihon. Beginning in the late 1950s, Tomatsu photographed as many of the American military bases as possible--beginning with those on the main island of Japan and ending in Okinawa, a much-contested archipelago off the southernmost tip of the country. Tomatsu's photographs focused on the seismic impact of the American victory and occupation: uniformed American soldiers carousing in red-light districts with Japanese women; foreign children at play in the seedy landscape of cities like Yokosuka and Atsugi; and the emerging protest- and counter-culture formed in response to the ongoing American military presence. He originally named this series Occupation, but later retitled it Chewing Gum and Chocolate to reflect the handouts given to Japanese kids by the soldiers--sugary and addictive, but lacking in nutritional value. And although many of his most iconic images are from this series, the best of this work has never before been gathered together in a single volume. Leo Rubinfien, co-curator of the photographer's survey Skin of the Nation, contributes an essay that engages with Tomatsu's ambivalence toward the American occupation and the shifting national identity of Japan. Also included in this volume are never-before-translated writings by Tomatsu from the 1960s and 70s, providing context for both the artist's original intentions and the sociopolitical thinking of the time.Shomei Tomatsu (1930-2012) played a central role in Vivo, a self-managed photography agency, and founded the publishing house Shaken and the quarterly journal Ken. He participated in the groundbreaking New Japanese Photography exhibition in 1974 at The Museum of Modern Art, New York, and, in 2011, the Nagoya City Art Museum featured Tomatsu Shomei: Photographs, a comprehensive survey of his work.