Figures of inspiration: A history of an art form in all its possible manifestations Ranging from ancient to contemporary sculpture, this book is the first study of the history of sculpture to present such an original and comprehensive approach. Taking the sculptures out of the museum context (and thus off of their proverbial pedestals), this volume presents a completely new view which affords enlightening comparisons between eras and genres. This remarkable work is indispensable for art lovers of all tastes and disciplines.Contributing authors: Xavier Barral i Altet, Geneviève Bresc-Bautier, Philippe Bruneau, Bernard Ceysson, Jean-Luc Daval, Georges Duby, Maurizio Fagiolo dell’Arco, Sophie Guillot de Suduiraut, Reinhold Hohl, Antoinette Le Normand-Romain, Friedrich Meschede, Anne Pingeot, Barbara Rose, François Souchal, and Mario Torelli.
An authoritative, highly readable new survey that reveals the great diversity and energy within sculptural practice today Here are the most exciting developments in sculpture across the globe since the mid-1990s. Identifying the key trends, Anna Moszynska discusses the artists who are forging new paths and setting the contemporary agenda. She examines major shifts that have taken place in the last two decades, including the move from a concern with the discrete object to the more complicated and dynamic relationships found in installation-based practice, as well as the increased concern with the experiential nature of sculpture and the participatory role of the viewer. The world’s most promising new talent is discussed alongside established contemporary artists including Cai Guo-Qiang, Maurizio Cattelan, Jake and Dinos Chapman, Isa Genzken, Thomas Hirschhorn, Mike Kelley, Christian Marclay, Bruce Nauman, Gabriel Orozco, Doris Salcedo, James Turrell, and Ai Weiwei. 200 color illustrations
For the general public and specialists alike, the Hellenistic period (323–31 BC) and its diverse artistic legacy remain underexplored and not well understood. Yet it was a time when artists throughout the Mediterranean developed new forms, dynamic compositions, and graphic realism to meet new expressive goals, particularly in the realm of portraiture. Rare survivors from antiquity, large bronze statues are today often displayed in isolation, decontextualized as masterpieces of ancient art. Power and Pathos gathers together significant examples of bronze sculpture in order to highlight their varying styles, techniques, contexts, functions, and histories. As the first comprehensive volume on large-scale Hellenistic bronze statuary, this book includes groundbreaking archaeological, art-historical, and scientific essays offering new approaches to understanding ancient production and correctly identifying these remarkable pieces. Designed to become the standard reference for decades to come, the book emphasizes the unique role of bronze both as a medium of prestige and artistic innovation and as a material exceptionally suited for reproduction. Power and Pathos is published on the occasion of an exhibition on view at Palazzo Strozzi in Florence from March 14 to June 21, 2015; at the J. Paul Getty Museum from July 20 through November 1, 2015; and at the National Gallery of Art in Washington, DC, from December 6, 2015, through March 20, 2016.